{"id":13104,"date":"2019-10-10T12:35:14","date_gmt":"2019-10-10T10:35:14","guid":{"rendered":"https:\/\/www.theoffice.it\/?page_id=13104"},"modified":"2023-01-13T09:47:29","modified_gmt":"2023-01-13T08:47:29","slug":"parole-dietro-alle-mostre","status":"publish","type":"page","link":"https:\/\/www.theoffice.it\/en\/case-history\/parole-dietro-alle-mostre\/","title":{"rendered":"PAROLE DIETRO ALLE MOSTRE"},"content":{"rendered":"ngg_shortcode_0_placeholder\n<p>An exhibition fulfils its aims when each and every participant, either Italian or foreign, may fully appreciate its contents and partake of the overall message conveyed by the curators.<\/p>\n<p>Translating texts, captions and catalogues requires not only excellent linguistic and translation skills, but also culture, in-depth bibliographical and terminological research, curiosity, punctiliousness and a careful eye in proofreading.<\/p>\n<p>The Municipality of Trieste and ERPAC, the regional agency for cultural heritage, are fully aware of the importance of multilingual communication. That\u2019s why they relied on our experience for their latest exhibitions:<\/p>\n<ul>\n<li>\n<table style=\"border-collapse: collapse; width: 137.656%;\">\n<tbody>\n<tr>\n<td style=\"width: 25%;\">Titolo<\/td>\n<td style=\"width: 25%;\">Sede<\/td>\n<td style=\"width: 25%;\">Anno<\/td>\n<td style=\"width: 62.6563%;\">Organizzatore<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 25%;\">&#8220;Loyd. Le navi di Trieste nel mondo&#8221;<\/td>\n<td style=\"width: 25%;\">Centrale Idrodinamica, Porto Vecchio<\/td>\n<td style=\"width: 25%;\">2016<\/td>\n<td style=\"width: 62.6563%;\">Comune di Trieste<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 25%;\">&#8220;Metlicovitz. L&#8217;arte del desiderio&#8221;<\/td>\n<td style=\"width: 25%;\">Civico Museo Revoltella<\/td>\n<td style=\"width: 25%;\">2018<\/td>\n<td style=\"width: 62.6563%;\">Comune di Trieste<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 25%;\">&#8220;Robert Doisneau. Across the Century&#8221;<\/td>\n<td style=\"width: 25%;\">Magazzino delle Idee<\/td>\n<td style=\"width: 25%;\">2019<\/td>\n<td style=\"width: 62.6563%;\">ERPAC &#8211; Ente Regionale per il Patrimonio Culturale<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 25%;\">&#8220;Self portrait and its double&#8221; Vivian Maier<\/td>\n<td style=\"width: 25%;\">&nbsp;Magazzino delle Idee<\/td>\n<td style=\"width: 25%;\">2019<\/td>\n<td style=\"width: 62.6563%;\">ERPAC &#8211; Ente Regionale per il Patrimonio Culturale<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>&nbsp;<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; An exhibition fulfils its aims when each and every participant, either Italian or foreign, may fully appreciate its contents and partake of the overall message conveyed by &hellip;<\/p>\n","protected":false},"author":4,"featured_media":0,"parent":2598,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"single-ch.php","meta":{"_acf_changed":false,"ngg_post_thumbnail":0,"footnotes":""},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>PAROLE DIETRO ALLE MOSTRE - The Office<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.theoffice.it\/en\/case-history\/parole-dietro-alle-mostre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"PAROLE DIETRO ALLE MOSTRE - The Office\" \/>\n<meta property=\"og:description\" content=\"&nbsp; 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